FOR IMMEDIATE RELEASE
47TH INTERNATIONAL THESSALONIKI
November 17-26 2006
November 7 2006
Dear colleagues and guests,
With only ten days to go before the start of the event we have the pleasure to contact you again with the latest news from the preparation of this year’s
A record number of three hundred plus films will compose this year’s festival programme.
A complete list of this year’s line up is attached at the end of this press release.
Nearly one thousand guests are expected to be present, including the creative teams from the films presented in the various sections of the event as well as 80 foreign film critics and journalists plus their local counterparts.
The
Another
Official Programme
The International Competition section programmed by festival director Despina Mouzaki is composed of 14 first or second films by new and emerging directors. The official programme also features 4 films presented Out of Competition and another 14 in the Special Screenings section.
The selection of the Official Programme:
The selection of the films of the Official Programme is, according to Despina Mouzaki, “not based on the principle of subject matter, but on the freshness of vision which reveals not only how comfortable new directors are with the language of cinema, or how willing they are to experiment with it, but also how they perceive human existence and the daily confrontation with the social problems that surround it”.
“This year the International Competition section”, says the director of the festival, “ perhaps more than ever, leans towards the adventure of narrative. It creates a world of vital stories,
which film makers from four continents believe they must tell at any cost. A world which begins geographically from the north of Europe, passes through the neighbouring Mediterranean Africa, opens to the Far East and concludes in North and
International Jury
The seven-member International Jury called to judge the films of the International Competition section and to award the Golden and Silver Alexanders, (Euros 37,000 and 22,000 respectively) -plus a number of additional awards, is composed of:
Christine Vachon,
Pierre Rissient, France, film consultant
The press conference of the jury will be held November 18.
Fipresci Jury
The five-member Fipresci Jury called to judge films in the International Competition and the Greek Films 2006 sections is composed of,
Jose Carlos Avellar (Brazil) -President
Genoveva Vassileva (Bulgaria)
Samir Farid (
Sergei Lavrentiev (
Ioanna Papageorgiou (
The programme
We have already sent you numerous press releases during the month of October informing you about the sections, retrospectives, homages, spotlights and special events which form, together with the Official sections (International Competition, Out of Competition, Special Screenings) the programme of this year’s festival (Independence Days, Greek Films 2006, Balkan Survey, Wim Wenders, Walter Salles, Costa Gavras, Nuri Bilge Ceylan, Jan Svankmajer, Abderrahmane Sissako, Jim McKay, New Cinema From China: Another View, Brazilian Cinema, Focus: Teenage Lust/Teenage Angst, Balkan Fund, Agora, Crossroads Co-production Forum, Salonica Studio, Industry Centre, Exhibitions)
Below, you will find additional up to date practical information as well as the dates for a number of scheduled events:
This official parallel section of the Thessaloniki Int’l Film Festival presents its second edition headed by programmer and film critic Lefteris Adamidis.
Focusing on independent filmmaking by young and provocative talent regardless of subject matter or geographic area ID 06 is composed of 40 plus films from the 2005-2006 crop introduced in several sub-sections. Highlights include the two masterpieces from the New Crowned Hope film series, Tsai Ming Liang’s I Don’t want to Sleep Alone and Apitchatpong Weerasethakul’s Syndromes and A Century, the surprising Kubrador coming from Philippines, Pablo Trapero’s brand new Born and Bred and the impressive Das Fraulein by newcomer Andrea Staka, winner of this year’s Locarno Golden Leopard.
For the second year, one of the films included in the Independence Days section will be honored with the Human Values Award (cash prize of Euros 15,000) which is sponsored by the television channel of the Hellenic Parliament. Last year’s recipient of the award was Gavin Hood’s Tsotsi, the film form South
Greek Films 2006
This section traditionally showcases the local productions of the year. On this occasion it includes 18 full-length fiction films, 4 documentaries, as well as the award winning shorts from the Short Film Festival in Drama. The participating films are eligible for the State Cinema
Awards handed out the day after the closing of the TIFF. This year’s production is characterized by a great variation in style and subject matter, while the ever increasing trend of new film makers toward realism is prominent, sometimes using a twisted, playful style and other times attacking the established views and stereotypes of modern Greek society.
New this year in this traditional section steered by film director Thanos Anastopoulos is the introduction of DigitalWave, a competitive programme reserved for digital works, featuring the selection of ten films shot in formats that run the gamut from mobile telephones to HD. The programme aims to give young directors, and those who feel young, a platform, to urge them to broaden their means of expression and to re-examine cinema structures, beginning from the system of production and technical processing, up to the new distribution scene that is being created by the gradual take-over of digital technology.
A special award has been created for this section. Worth Euros 15,000 it is offered by the Greek Film Centre while another award will be offered by Nokia N series.
Running parallel to the DigitalWave the festival will present a Focus on the pioneering collective digital effort of French origine Kourtrajmé.
The "collectif Kourtrajmé productions", founded by Romain Gavras, Kim Chapiron and Toumani Sangaré, is a wild bunch of 100 plus video directors, actors, musicians, dancers and experts in internet sound and design, a " jubilatory new new wave" as legendary French film maker Chris Marker calls them. Their work is fresh, urgent, instinctive, trashily humorous, iconoclastic and gutsy. Their quirky energy, unstoppable creativity and uncompromising
independent spirit should be an electro shocking inspiration to the new generation of film makers in
The Focus will include the screening of about 90 minutes of a selection of "Kourtrajmé" productions and finally by a vibrant party featuring one of "Kourtrajmé's" favorite DJs in alliance with a Greek DJ.
Parallel to contemporary production, the Greek programme will feature a series of films on Immigration in Greek Cinema (1956-2006) as well as retrospectives to the work of two veteran Greek directors, Stavros Tsiolis and Dimos Theos and will pay tribute during a whole day to the legendary local film director Alexis Damianos who died last May. His films Until the Ship Sails, Evdokia and Eniochos will be screened as well as an episode of the television series Patouchas and one from Strange Voyager. There will also be screenings of documentaries by Greek film directors on his life and work as well as a selection of scenes from his films in which Damianos appears as an actor. His former close collaborator, director Lakis Papastathis will also present his book “When Damianos was filming Evdokia”.
Balkan Survey
For the 13th year in a row, the “Balkan Survey” section, curated by film theorist Dimitris Kerkinos, will present a selection of the most significant Balkan films of the year.
This year’s Balkan Survey programme is dedicated to the late Cristian Nemescu, to honor the memory of this talented young Romanian director and dear friend of the Thessaloniki Film Festival who left us last summer after a fatal car accident . His film Marilena de la P7, will be presented in the main Balkan programme, as well as his last, unfinished film California Dreaming in the Balkan Works in Progress section.
The latter is a new subsection held in cooperation with the Agora (the TIFF Film Market) giving the opportunity to selected sales agents, distributors and festival programmers to discover projects from the entire Balkan region, entering the post-production stage. At the same time, it gives the opportunity to film producers to receive valuable feedback regarding the commercial potential of their film and to also find distribution.
For the second consecutive year, an audience award of Euros 2,000 will be given to the most popular film of the section.
Also, the presentation of a new book on Balkan cinema, edited by Professor Dina Iordanova, suitably titled, 24 Frames: The Balkans, will be held during the festival.
Wim Wenders
Wim Wenders will be present at the Festival November 20-27. During his stay he will introduce several of the films of his complete Retrospective and will take part in Q&A sessions after the end of the screenings. Wenders will receive a special Golden Alexander for his career and contribution to the art of film making on November 21st.
In the morning of the same day he will conduct a Master Class together with his long time colleague, the celebrated Brazilian film maker Walter Salles who will attend the festival November 19 –22 on the occasion of the Homage to Brazilian Cinema.
Wenders will hold a press conference November 23 while Salles will hold his press conference November 22.
The opening of the exhibition Still Images Of Moving Pictures, by his wife and collaborator Donata Wenders featuring photos from Wenders films, is set for November 20th.
Chen Kaige
The celebrated Chinese master will be present at the festival November 24 to 26.
During his stay, he will offer a Master Class in the morning of November 25. The same day during an evening gala he will present his film The Emperor and the Assasin, and will receive a special Golden Alexander for his career and contribution to the art of filmmaking.
Costa Gavras
As already announced, the famous Greek-French director will attend the festival on the occasion of the official presentation Out of Competition of the film Mon Colonel that he wrote and produced.
The director of the film, Laurent Herbiet, the actors Olivier Gourmet and Robinson Stevenin will be present together with Gavras at the gala screening of the film on the evening of November 19.
In the morning of the same day Gavras and the team of the film will hold a press conference
following the press screening of Mon Colonel on the evening of November 18.
Gavras will also conduct a Master Class in the morning of November 20.
Nuri Bilge Ceylan
As already announced the Tribute to the work of this prominent Turkish film director will be accompanied by an exhibition of his photos with the title
On the same day Bilge Ceylan will also hold a press conference.
Jan Svankmajer- Abderrahmane Sissako-Jim McKay
The already announced Retrospectives and Spotlights held to celebrate those three noted filmmakers by the Independence Days official parallel section under the artistic direction of Lefteris Adamidis will be accompanied by a number of side events.
In the case of Svankmajer, who will be present at the festival November 17-21, the exhibition of his artwork, titled Imaginative Eye, Imaginative Hand, also containing many works by his late wife and collaborator Eva Svankmajerova, will open November 18.
Then November 20 at 15,00 Svankmajer and his producer Jaromir Kallista will hold an open discussion with the public at the Pavlos Zannas theatre where Svankmajer will receive a Golden Alexander for his career and contribution to the art of film making.
Abderrahmane Sissako, present in
As Jim McKay was forced to cancel his participation due to unexpected work commitments, he will be represented at the festival by the leading
In the same section young and upcoming directors Valeska Grisebach from
New Cinema From China
Chen Kaige is not the only Chinese director present this year in
Apart from the retrospective itself, presented in detail in previous press releases, composed by 22 films highlighting the unknown – to western audiences and festivals - side of the recent Chinese production, the tribute is encompassed by three further films, which are to be screened in other sections of the Festival's program. These are: Trouble Makers by Cao
Baoping, In Competition, and The Road by Zhang Jiarui and Dreams May Come by
Xu Jinglei, in Special Screenings. Xu Jinglei is also part of the International Jury.
The Chinese delegation present at the Festival will stage a round table November 22nd.
Members of the delegation and dates of their presence at the festival are,
Filmakers:
Hou Yong, Jasmine Women, November 20-24
Chen Daming, Manhole, Nov 19-26
Eng Dayyan, Waiting Alone, Nov 19-24
Guan Hu, Goodbye! Our 1948, Nov 21-30
Zhang Yibai, Spring Subway, Nov 19-24
Ning Hao, Crazy Stone, dates TBA
Production/Distribution:
Yang Buting (chairman), China Film Import& Export Corp Nov 17-20
Kuang Xiaolin, Xiao Ping, Wu Min, (executives) China Film Import& Export Corp Nov 17-20
Press:
Jia Alex Nov 19-26
Zhang Wenbo Nov 17-23
Zhang Han Nov 17-23
Also attending are the curator of the tribute, the eminent
Homage to Brazilian Cinema
The previously announced comprehensive homage to Brazilian Cinema is composed of 18 titles including classical works by such masters of the Brazilian film scene as Glauber Rocha (Terra em Transe), Nelson Pereira dos Santos (Vidas Secas) as well as the latest productions such as Marcelo Gomes’ Cinema, Aspirinas y Urubus, Bruno Barreto’s Casamento de Romeo and Breno Silveira’s Dois Filhos de Francisco.
Members of the Brazilian delegation participating in the homage presented in our previous press releases include the likes of,
Walter Salles, film director November 19-22 (Terra Estrangeira, Central do Brasi)
Tarcisio Vidigal, president of Grupo Novo Nov 18-25
Luiz Carlos Barreto, producer Nov 18-27 (Vidas Secas, Terra Em Transe, Bye Bye Brazil, O Quatrilho)
Lucy Barreto, producer Nov 18-27 (Bye Bye Brazil, O Quatrilho)
Marcelo Gomes, film director Nov 18-22 (Cinema Aspirinas e Urubus)
Sara Silveira, producer Nov 18-22 (Cinema Aspirinas e Urubus)
Peter Ketnath, actor Nov 20-23 (Cinema Aspirinas e Urubus)
Karim Ainouz, film director Nov 19-22 (Suely in the Sky)-in competition
Hermila Guedes, actress Nov 19-22 (Suely in the Sky)-in competition
Luiz Carlos Merten, film critic Nov 18-25
The above will participate in a Round Table on Brazilian Cinema on November 21.
They will be joined by member of the International Jury, director Katia Lund and the eminent Brazilian film critic and president of the Fipresci Jury Jose Carlos Avellar.
Focus: Teenage Lust/ Teenage Angst
Focus, the first thematic section to ever be presented at the festival builds its programme around the subject of adolescence. Curated by film critic Konstantinos Kontovrakis, Focus is inspired by Larry Clark’s photographic album “Teenage Lust” (1983), which followed the autobiographical “Tulsa” and long before Clark’s directorial debut, “Kids”.
Twelve filmmakers, most of them newcomers, from twelve different parts of the world create a zesty collage composed of twelve different snapshots that describe those crucial and defining moments that mould our future identity, namely, adolescence.
Filmmakers present include,
Chung Simon, Innocent (
Alexis Dos Santos, Glue (Argentina) Nov 20-23
Michael Cuesta, Twelve and Holding (USA) dates TBA
Focus: Teenage Lust / Teenage Angst encourages the communication between
films and its viewers. Therefore, we encourage you to share your
experiences, recall your teenage memories, express your opinion on the
films, by posting them on www.teenage-memoirs.blogspot.com
Balkan Fund
The Festival presents the Balkan Fund, now in its fourth successful year of operation, which will be held November 18-20 steered by Christina Kallas and Lucia Rikaki.
The International Jury, the 12 earmarked projects as well as the new initiative Balkan Fund Presents, launching on the occasion the Conference on European Screenwriting (November 21-22), have already been presented in detail in our previous press releases.
A special place is reserved this year to the Case Study of Grbavica.
The film, by first time Bosnian director Jasmila Zbanic, which went on to win the Golden Bear at this year’s Berlin International Film Festival was the first project to emerge from the Balkan Fund (participating in the workshop and receiving one of the four awards for script development in 2003).
Both the Case Study and the gala presentation of the film will take place November 20. The later will occur in the evening coinciding with the announcement of this year’s 4 award winning projects following a three-day workshop (November 18-20) while the Case Study will take place at 13.00 hrs at the John Cassavetes Theatre.
Agora
Agora- the TIFF Film Market enters its second year after a promising launch during last year’s
Festival.
Coordinated by audiovisual expert Margarita Eliopoulou, Agora intends to boost the commercial potential of the Greek and international productions present in the various sections of the event.
To achieve this, Agora brings together industry leaders, decision-makers as well as buyers, distributors and sales agents from all over the world such as,
Jean-Francois Deveau, VP Sales and Acquisitions, MK 2 (
Stephen Oxman, Jr, The Film Sales Co, (
Marian Masone, Managing Director, the Film Society of
Sophokles Tasioulis, Executive Vice President Sales, Greeenlight Media AG (
Massimo Saidel, Managing Director, Latido-Latin Beat Intnl Distribution (
Pascual Condito, President, Primer Plano Film Group S.A (
Camille Rousselet, Festival Manager, Wide Management (France),
Nicholas Kaiser, Head of Acquisitions, Rezo Films Intnl (France),
Tine Klint, Sales Executive, Nordisk (
Stefanie
Keiko Takeuchi, Manager Marketing & Acquisition Tokyo Theatres Co & Ltd. (
An Industry Manual will be published and distributed to all attendants by Agora including the profiles of all cinema professionals and companies present at the festival while workshops and special events will complement the Agora scope. Among them are,
A workshop offered Friday November 25 and 26 by European Film Promotion (EFP) president Claudia Landsberger (Holand Films) to Greek professionals on the subject of,
Selling and marketing films in the international market. Strategies and information on film festivals, markets and sales agents.
The workshop will be accompanied by a series of personal meetings between Claudia Landsberger and selected producers and directors to further highlight and analyse each particular project presented by the respective producer or director case by case.
Mosfilm Cinema Concern
Mosfilm Director General Karen Shakhnazarov will make a special presentation on
the historic Russian Studio highlighting its present updated facilities and production advantages offered to foreign producers. The presentation will be open only to the Industry Guests.
Crossroads Co-production Forum
A detailed press release sent a few days ago presented the highlights of the second outing of this festival initiative which, harmoniously blending with and complementing Agora intends to broaden the business basis of the event. This section caters to producers of fiction films that contain a link to the
Helmed this year by former Cannes Directors Fortnight topper Marie-Pierre Macia who will serve as Artistic Director, Cross Roads will take place November 23-25.
Projects by Amos Gitai, Raoul Ruiz and Mimmo Calopresti are to be found among the earmarked 18 projects while this year Crossroads is also introducing the Crossroads Award. The amount of Euros 10,000 will be awarded to one of the participating projects.
Important industry members, including Michel Reilhac (ARTE France), Peter
Garde (Zentropa), Pierre Menahem (Scalpel Films), Olaf Aichinger (
and Mathew Baker (Hanway Films), will come to
selected producers.
Crossroads will also host two Conferences in collaboration with the European Producers Club (Club des Producteurs Europeens). Raimond Goebel (Pandora Films), Pascal Diot (Onoma International) and Stephen Kelliher (Beyond Films Ltd) will be among the panelists.
Salonica Studio-Student Workshops
TIFF introduces this year an educational event that will take place November 24-26: The Salonica Studio-Student Workshops. The event’s aim is to introduce senior year film school students, specialising in production, to the fine art of international Co-Production in a real life, multi-national forum.
The event is organised by Renate Roginas, former Executive Secretary of Eurimages and one of
The programme will also involve case studies and lectures on development, financing, legal issues and marketing of international films. Tutors will conduct daily workshops around these themes, working with the students in small groups to create a realistic feature film project. The students will then compete in teams before a jury which will pick a “winning” co-production.
The host school for the event is the
La FEMIS (France), Baltic Film and Media School (Estonia), Deutsche Film-und Fernsehakademie Berlin (Germany), Sam Spiegel Film & TV School (Israel), National University for Theatre and Film (Romania), Faculty of Dramatic Arts- Belgrade University (Serbia), Escuela Superior de Cine y Audiovisuales de Cataluna –ESCAC, (Spain).
Industry Center
The Industry Centre, a new initiative launched this year, is based at a large warehouse (number 8) located on the port whose space and resources are devoted to housing the activities which serve the needs of various sectors of the industry such as the Agora, the Balkan Fund, Crossroads, and the Salonica Studio.
Additional events will be hosted in the facility including a conference of European Screenwriters, a Kodak conference, several Round Table discussions including one on sales and marketing, a conference on Digitalisation of Film Archives as well as meetings, smaller conferences and events aimed at introducing the Greek film community to its international peers.
The Centre of the Industry Centre is a café that surrounds the main Greek Stand which is shared by a number of Greek film organisations and which will be staffed the entire time the Industry Centre Is open. There will be a plasma screen in the café displaying trailers, short films, documentaries and tourist location clips focused on
The Industry Centre will be run by industry executive Linda Beath.
Just Talking
This is a new initiative aiming to promote networking among festival guests.
Held every day from 16,00 to17,00 at the Entefktirion hall, situated at the Pier, across from Warehouse C and the Kitchen Bar Restaurant, Just Talking will be an open discussion in a friendly, relaxed atmosphere. The event, which will be held in English, will allow Greek and international directors to meet each other and exchange views on their work and experiences.
For the event, discussion groups will be created, made up of directors, journalists and other film professionals. The audience of accredited festival attendees can choose to either simply listen or participate while enjoying some wine and/or coffee.
Should you need more information or have any comments, please do not hesitate to contact,
Angelike Contis, “Just Talking” coordinator/moderator (This email address is being protected from spambots. You need JavaScript enabled to view it.)
Festival Publications
Continuing this long tradition, the festival will present a number of publications, specially prepared for the homages, tributes and retrospectives held this year.
What is new this year, is the fact that for the first time ever a number of those publications will also be in English.
Those are,
Wim Wenders, Nuri Bilge Ceylan, Brazilian homage, New Cinema From China: Another View, Immigration in Greek Cinema (1956-2006)
Exhibitions
In previous press releases we announced this year’s exhibitions:
Wim & Donata Wenders: Still Images Of Moving Pictures
Eva Svankmajerova – Jan Svankmajer: Imaginative Eye, Imaginative Hand
Nuri Bilge Ceylan:
Cao Fei
Lida Papakonstantinou
Michalis Anastasiou
Rania Kapeliari
We are particularly honoured to present the world premiere of the Eve Sussman new work
“The Rape of the Sabine Women”.
The Thessaloniki Center of Modern Art, the J.F. Costopoulos Foundation and the National Museum of Modern Art, in collaboration with the 47th
The exhibition will include the video installation “89 seconds at Alcazar”, as well as photographs from the installation and the artist’s new work “The Rape of the Sabine Women”, which will be presented as a World Premiere on November 19, at the Olympion’s Pavlos Zannas cinema, 13:00-15:00.
Eve Sussman is considered an up and coming talent in the visual arts scene, as she combines painting with cinema, creating a “new cinematic genre”, whose basic elements (moving picture-narrative) are deconstructed and re-determined with new associations and structure.
The works of Eve Sussman & The Rufus Corporation bring a new visual approach to the use of the video camera in two paintings by past masters, specifically:
“89 seconds at Alcázar”, 2004 refers to D. Velásquez’ «Las Meniñas», 1656 at the
“The Rape of the Sabine Women”, 2006, refers to J. L. David’s “The Rape of the Sabine Women”, 1799, at the Louvre (
Regional Screenings
Tuesday, November 22 to Friday, December 3
Far more extensive and wide ranging, the 47th Thessaloniki International Film Festival Regional Screenings, with the support of the Ministry of Macedonia/Thrace, this year will travel to the Northern Greek cities of,
Kilkis (November 22-26)
Serres (November 23-25)
Alexandroupolis (November 24-28)
Florina (November 25-28)
Veroia (November 26-28)
Kavala (November 27- December 1)
Kozani (November 28-30)
Grevena (November 29- December 2)
Kastoria (December 1-3)
The Regional Screenings are the Festival’s way of communicating with the various cities of Macedonia/Thrace, bringing the latest foreign and domestic films to regional audiences. In keeping with the Festival’s policy, three new cities have been added to the list this year, and for the first time the screenings will be accompanied by photographs from the Festival’s archives which will be exhibited in specially designed venues.
The detailed screening programme will be announced shortly.
Additional events and Personalities recently added to the line up are,
Concert: Juliette and the Licks
The 47th TIFF, in collaboration with DiDi Music, will present Juliette and the Licks in concert on Saturday, November 25, 2006 at the Milos Warehouse in
The lead singer and “soul” of the band is Juliette Lewis, the acclaimed actress best known through her roles in films such as
Ms Lewis will hold a press conference prior to the concert.
The band’s sound is related to that of the Killers and the Yeah Yeah Yeahs, a mix of alternative pop, new wave and old school rock n’ roll, characterized by the explosive presence of Juliette Lewis on the stage. They have become the talk of the town in
Concert: The Festival Band
The Festival Band will give a concert November 19. This seven person band, is formed by the directors of the
Lili Taylor
Emmanuelle Beart, Sandrine Bonnaire, Valeria Golino
French actresses Emmanuelle Beart and Sandrine Bonnaire, as well as their Italian colleague Valeria Golino will grace the festival with their presence.
They will individually arrive November 24, and on November 25 there will be presentations of Beart’s and Golino’s films.
Emanuelle Beart will present her latest film, Un Crime (A Crime) while Valeria Golino will present her prefered film Respiro.
Following the presentation of their films, each actress will hold a press conference.
Sandrine Bonnaire will attend the Master Class given by her husband, the well-known French scriptwriter Guillaume Laurent (A Very Long Engagement, Amelie). The Master Class is organized in collaboration with the Greek Book Center (EKEBI), and will deal with the subject of : “Adapting Literature for Cinema”.
EAVE.
The general assembly of this Media programme initiative will take place in the festival
Southeastern European Cinema Network
The general assembly of the Southeastern European Cinema Network (Production development fund) will also take place during festival.
Sponsors
The Ministry of Culture, ERT (The Public Radio-TV network), Pernod Ricard-Jameson, which backs the Public Choice Awards, Nokia Nseries, DOL (Lambrakis Editorial Group), OPAP (The football betting Organization), the Greek Film Center, the Greek Parliament, the Ministries of, Macedonia and Thrace, Interior (Secretariat of Equal Rights) and Tourism, the Municipality of the city, the Thessaloniki International Fair, Helexpo (Thessaloniki’s International Fairs organization), Thessaloniki Port Authority, OPEP (Organisation for the Promotion of Greek Culture), OPE (Organisation for External Commerce), Kerasma (Greek Mediterranean Gastronomy), Media Desk Hellas, IOM (Institute of Audiovisual Media), Akmi Art Academy, the Galaxia Vacation Club, the Boutari Wineries, Avra Mineral Water, Vodafone, Aegean Airlines, Mercedes Benz, TV5Monde
Facilities
Facilities available to the festival guests include,
-A video room with 25 individual booths. The video room will be located in the Industry Centre
All films presented in the festival can also be screened at the video room by interested parties. The facility is intended for members of the press and for representatives of the local and international film business community attending the festival.
The Olympion Cinema Complex, which houses the Olympion 1 and Olympion 2-Pavlos Zannas cinema theaters is the site of the official screenings of the Festival.
Conveniently located in the city port, within walking distance from the Olympion Cinema Complex and the main hotels where the guests will be housed, is the multimedia cultural center, The Pier (Provlita).
The Pier includes:
-The John Cassavetes, Tonia Marketaki, Frida Liappa and Stavros Tornes theaters where the festival screenings will take place.
-The Warehouse C (Apothiki Gama) which will house the Administration offices, Public relations and the Independence Days office, the Guest and Press Services, as well as the International Program and Foreign Press offices and the Jameson Club.
-The Warehouse 8 where the Industry Centre will be housed.
The Festival’s Meeting Point where a restaurant, coffee shop and bar are to operate during the event can be found in the upper floor of Warehouse C.
New this year is the addition of three more cinema theatres to the venues of the festival to better serve the needs of the guests.
They are,
The completely refurbished Vakoura 1 (540 seats) and Vakoura 2 (120 seats) at
The two theatres will host repeat screenings of such sections as the Official Programme (In and out of competition, Special Screenings), the Chinese and Brazilian Homages, Wim Wenders, Nuri Bilge Ceylan, Stavros Tsiolis, Dimos Theos as well as the Greek subsection showcasing films focusing on immigration
The 100 seater Manolis Andronikos hall, a digital video screening facility, named after the renowned late Greek architect who unearthed the famous archeological findings of Vergina related to king Philippos, the father of Alexander the Great.
The hall is located in the city’s
A shuttle bus will be available for guests wishing to attend screenings there (the Greek Digital Wave and Wim Wenders documentaries).
As in the past two years an extra cinema theater will again be reserved exclusively for press and industry screenings at the Plateia multiplex off the Olympion..
Upon their accreditation, festival guests will be furnished with detailed information as to each cinema theater’s program.
Ticketing Policy for Foreign Press
The press badge allows access to all screenings and events, unless otherwise specified.
Please note however, that it is necessary to obtain 0 value tickets for entrance to all screenings except for the Press Screenings at the Plateia. These tickets can be obtained both on the screening date and up to 2 days in advance of the screening at the Olympion, Marketaki and Frida Liappa theaters.
Checking in upon arrival in Thessaloniki
1/ For those of you arriving by plane:
Once you go through Customs and pick up your luggage, make your way to the main arrivals hall and look for the Film Festival Hospitality Booth. In case you have not been previously informed by our guest service, attendants at the booth will inform you which hotel the Guest Service has booked you in, and they will direct you to buses and cars which will transport guests to their respective hotels.
After checking into your hotel room, please go to The Pier, in Warehouse C which houses the Guest Service office.
After checking in with the Guest Service and picking up your badge, please come to the Foreign Press Service office, also situated in Warehouse C to pick up the Festival bag containing all press-related material and to receive additional information available to representatives of foreign press.
Please note that you should not pick up your Festival bags from the guest service. The bags, reserved for the foreign press will be handed out only from the Foreign Press office.
2/ For those arriving in
Take a taxi from the respective station either to:
- The hotel the Guest Service has registered you with, if you know this before arriving in
-Or go directly to The Pier, the Guest and the Foreign Press Service offices, if you do not know which hotel you will be staying in.
For train and bus passengers, it would be very helpful for the Guest Service to know if you have an estimated time of arrival. Either fax this information to them or give them a call.
For all information concerning your trip to and from
Ms Stella Stavrinodaki
Guest Service
11 473
Tel + 30- 210 870 60 00 -operator
+ 30 210 870 60 20-direct line
Fax + 30 210 644 81 43
This email address is being protected from spambots. You need JavaScript enabled to view it.
From November 10 onwards please contact the Guest Service at the
Ms Stella Stavrinodaki
Guest Service
10,
546 23
Tel + 30 2310-378 400 -operator
Fax + 30 2310-378 620 and + 30 2310 285 759
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Starting November 16 the Guest Service can be reached at the Pier, Warehouse C. Direct phone and fax numbers there will be available from that date onwards.
Email remains unchanged.
Looking forward to welcoming you in
Best regards,
Alexis Grivas/ Angeliki Vergou
Foreign Press Department
9,
Athens 11473
We can be reached:
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Tel + 30 2310-378 400 -operator
Fax 30 2310-285 759 -Fax
Emails remain unchanged.
Starting November 16 we can be reached at the Pier, Warehouse C. Direct phone and fax numbers there will be available from that date onwards. Emails remain unchanged.
Festival line up
see next page
Opening Film
November 17 2006
1. THE QUEEN, Stephen Frears, UK/France/Italy, 2006, 97’
Closing Film
November 26 2006
2. COEURS (PRIVATE FEARS IN PUBLIC PLACES),
International Competition
3. DRAMA/MEX, Gerardo
4. DAY NIGHT DAY NIGHT, Julia Loktev, USA/Germany/France, 2006, 94’
5. BLED NUMBER ONE (BACK HOME),
6. GAJOKEUI TANSAENG (FAMILY TIES), Tae-yong
7. SCHONER LEBEN (RIDING UP FRONT),
8. THE POINT, Joshua Dorsey,
9. Z ODZYSKU (RETRIEVAL),
10. BLODBOND (THICKER THAN WATER), Arni Olafur Asgeirsson,
11. GUANG RONG DE FEN NU (TROUBLE MAKERS),
12. O CEU DE SUELY (SUELY IN THE SKY), Karim Ainouz, Brazil/Germany/France/Portugal, 2006, 88’
13. ROMA WA LA N'TOUMA (
14. ASRE JOMEH (ON A FRIDAY AFTERNOON), Mona
* ROZ (PINK),
* I PSYHI STO STOMA (SOUL KICKING),
Out of Competition
15. MONTAG KOMMEN DIE FENSTER (WINDOWS ON MONDAY),
16. KYTHERA, Peter Meszaros,
17. KHADAK, Peter Bosens, Jessica
18. MON COLONEL (THE COLONEL), Laurent HERBIET, France,
Special Screenings
19. OMARET YACOUBIAN (THE
20. EL LABERINTO DEL FAUNO (PAN'S LABYRINTH)
21. FANGXIANG ZHI LU (THE ROAD),
22. THE FOUNTAIN, Darren Aronofsky,
23. EFTER BRYLLUPPET (AFTER THE WEDDING), Susanne
24. TAXIDERMIA,
25. MENG XIANG ZHAO JIN XIAN SHI (DREAMS MAY COME),
26. THE LAST KING OF
27. INLAND EMPIRE, David Lynch,
28. FAST FOOD NATION, Richard Linklater,
29. UN CRIME (A CRIME), Manuel Pradal,
30. BEYOND THE ROCKS, Sam Wood,
31. JING KE CI QIN WANG (THE EMPEROR AND THE ASSASSIN), Chen Kaige,
32. RESPIRO,
Greek Films 2006
33. AKAMAS,
34. PERA APO TI LIMNI (BEYOND THE LAKE),
35. STA ORIA (CLOSE TO THE EDGE),
36. PETHENONDAS STIN ATHINA (DYING IN
37. EDUART,
38. PENDE LEPTA AKOMA (EXTENDED PLAY),
39. ORES KINIS ISYHIAS (FALSE ALARM),
40. ENAS IROAS STI ROMI (HERO...IN
41. KRATISSE ME (HOLD ME), Lucia
42. MELI KE KRASI (HONEY AND WINE), Marinos Kartikkis,
43. ILLUSTRATION,
44. LOUFA KE PARALAYI: SIRINES STO AEGEO (LOAFING AND CAMOUFLAGE: SIRENS IN THE AEGEAN), Nikos Perakis,
45. PANDORA, George Stamboulopoulos,
46. ROZ (PINK),
47. I PSYHI STO STOMA (SOUL KICKING),
48. TO PERASMA (THE CROSSING), Dimitris
49. O YIOS TOU FYLAKA (THE GUARDIAN'S SON), Dimitris Koutsiabassakos,
50. APOSTOLOS KE MONOS (THE LONELY POSTMAN), Nick Kavoukidis & George Michalakopoulos,
51. ZONDANI STO KYTTARO - SKINES ROCK (LIVE AT THE KYTTARO - ROCK SCENES),
52. SUGARTOWN: I GAMBRI (SUGARTOWN: THE BRIDEGROOMS),
53. IKETES (SUPPLICANTS), Stavros Ioannou,
54. YANNIS MORALIS,
Immigration in Greek Cinema
55. DOLLARIA KE ONIRA (DOLLARS AND DREAMS), Ion
56. ACHILLEAS, Milly
57. O METANASTIS (THE IMMIGRANT),
58. TO GRAMA APO TO
59. MEHRI TO PLIO (TO THE SHIP), Alexis Damianos,
60. ANAPARASTASI, (RECONSTRUCTION), Theo Angelopoulos,
61. GRAMATA APO TIN AMERIKI (LETTERS FROM
62. TELEFTEOS STATHMOS KREUZBERG (LAST STOP: KREUZBERG),
63. ELLINIKI KINOTITA HAIDELVERGIS (THE GREEK COMMUNITY IN HAIDELBERG),
64. O YORGOS APO TA SOTIRIANIKA (YORGOS FROM SOTIRIANIKA),
65. I FOTOGRAFIA (THE PHOTOGRAPH),
66. AP' TO HIONI (FROM THE SNOW), Sotiris Goritsas,
67. ISMAIL (ISHMAEL),
68. 750.000, Alexis Grivas,
69. MIRUPAFSHIM, Yorgos Korras & Christos Voupouras,
70. APO TIN AKRI TIS POLIS (FROM THE EDGE OF THE CITY),
71. ENAS LAMBEROS ILIOS (A BRIGHT SHINING SUN),
72. KLISTI DROMI (ROADBLOCKS), Stavros Ioannou,
73. AMERIKANOS, Christos Dimas,
74. O YORGOS APO TI HAIDELVERGI (GEORGE FROM HAIDELBERG),
75. ESOTERIKO SPITIOU ME YINEKA POU KATHARIZI MILA (LEPTOMERIES) (INTERIOR WITH WOMAN PEELING APPLES (DETAILS),
76. TO KATOI (THE KENNEL),
77. MY SWEET HOME,
78. YPARHOUN LIONDARIA STIN ELLADA? (ARE THERE ANY LIONS IN
79. O DROMOS PROS TI DYSI (THE WAY TO THE WEST), Kyriakos Katzourakis,
80. NYFES (BRIDES),
81. MASSALIA, MAKRINI KORI (
82. DELIVERY, Nikos Panayotopoulos,
83. TA SALINGARIA TIS LOULOUS (LULU'S SNAILS), Panayiotis Pafoutis,
Stavros Tsiolis Tribute
84. O MIKROS DRAPETIS (THE YOUNG RUNAWAY), 1968, 87’
85. I ZOUNGLA TON POLEON (THE CITY JUNGLE), 1969, 97’
86. PANIKOS (PANIC), 1969, 87’
87. KATAHRISIS EXOUSIAS (ABUSE OF POWER), 1970, 104’
88. MIA TOSO MAKRINI APOUSIA (SUCH A LONG ABSENCE), 1985, 84’
89. SCHETIKA ME TO VASSILI (ABOUT VASSILIS), 1986, 80’
90. AKATANIKITI ERASTES (INVINCIBLE LOVERS), 1988, 80’
91. EROTAS STI HOURMADIA (LOVE UNDER THE DATE-TREE), 1990, 84’
92. PARAKALO YINEKES MIN KLETE (PLEASE, LADIES, DON'T CRY), 1992, 89’
93. O HAMENOS THISAVROS TOU HOURSIT PASHA (THE LOST TREASURE OF HURSIT PASHA), 1995, 85’
94. AS PERIMENOUN I YINEKES (LET THE WOMEN WAIT), 1998, 87’
95. FTASAMEEE! (HERE WE ARE!), 2004, 90’
Demos Theos Tribute
96. EKATO ORES TOU MAI (THE HUNDRED HOURS OF MAY), 1963, 20’, documentary
97. KIERION, 1968, 92’
98. DIADIKASSIA (PROCEEDINGS), 1976, 110’
99. KAPETAN MEINTANOS (CAPTAIN MEINTANOS), 1987, 120’
100. ELLINISMOS KE DYSI (HELLENISM AND THE WEST), 1991, 60’ documentary
101. ELEATIS XENOS, 1996, 130’
Maria Plyta Spotlight
102. EVA, 1953, 83’
Yannis Fafoutis Spotlight
103. TA OPLA MOU RIHNOUN LOULOUDIA (ROBBER WITH FLOWERS), Yannis
DigitalWave
104. MIA ROZ PARAMANA (A PINK SAFETY PIN), Nikos Pomonis,
105. OLA YA TIPOTA (ALL FOR NOTHING), Alexandros Seferiadis & Shane Bunnag,
106. EPOMENI STASI GOA (BUS TO
107.
108. ERIMOS KE MONOS YA NA MOU FIYI O PONOS (MR. LUMIERE ...I'M BACK),
Nikos Alevras,
109. ONIRA THERINIS EPARHIAS (SUMMER PROVINCE DREAMS), Yorgos
110. TAF: FANDASOU TON KOSMO HORIS TIN IKONA TOU (T: IMAGINE THE
WORLD WITHOUT ITS PICTURE),
111. I ARPAYI TIS EVROPIS (THE ABDUCTION OF
112. TA KINA: TI KINO EHOUME (THE COMMONS, WHAT WE HOLD IN COMMON),
Lucia
113. KATO AP TO SENTONI (UNDER THE SHEET), Petros Kalkovalis & Melina
114. ALPHA, Yorgos Loukakos & Madeleine Aktypi,
2006, 58’
DigitalWave Special Screenings
115. METAMORFOSI (METAMORPHOSIS),
116. I PERIPETIES TOU VILLAR (THE ADVENTURES OF VILLAR), Joseph Hepp,
117. THE LAST PORN MOVIE,
118. O MAGOS TIS ATHINAS (THE MAGICIAN OF
Greek Screenwriters Spotlight
119. DIOGMOS (PERSECUTION),
120. DAMA SPATHI (QUEEN OF SPADES),
121. TAXIDI (JOURNEY),
122. I ARHONDISSA KE O ALITIS (THE LADY AND THE TRAMP), Dinos Dimopoulos,
Award-winning Short Film
123. ANIMAL BEHAVIOUR,
124. BACH KE BOUZOUKI (BACH & BOUZOUKI),
125. DIPLA STIN AKRI TIS BLE-BLE THALASSAS (BESIDES THE BLUE-BLUE
126. PROVA PALTOU (COAT FITTING),
127. TELEFTEO VRADI (FINAL NITE),
128. YGRAERIO (GAS),
129. HOCHHAUS (POLYKATIKIA) [HOCHHAUS (TOWER BLOCK)], Nikias Chryssos,
130. O AGNOOUMENOS JIB (MISSING JIB), Dimitris Tolios,
131. FARMAKON (PHARMAKON),
132. ARHIZI... (SHOW TIME...),
133. I KOUPA, (THE CUP),
134. KINISI OMALI (TRAFFIC FLOW: NORMAL),
2006, 11’
135. ALITHIA (TRUTH),
Tributes & Retsospectives
Wim Wenders Retrospective
136. DIE ANGST DES TORMANNS BEIM ELFMETER (GOALIE'S ANXIETY AT THE
PENALTY KICK),
137. DER SCHARLACHROTE BUCHSTABE (THE SCARLET LETTER),
138.
139. FALSCHE BEWEGUNG (WRONG MOVE),
140. IM LAUF DER ZEIT (KINGS OF THE ROAD),
141. DER AMERIKANISCHE FREUND (THE AMERICAN FRIEND), France,
1977, 123’
142. NICK'S FILM - LIGHTNING OVER WATER (LIGHTNING OVER WATER),
143.
144. CHAMBRE 666 (ROOM 666),
145. DER STAND DER DINGE (THE STATE OF
1982, 116’
146.
147.
148. DER HIMMEL UBER
149. AUFZEICHNUNGEN ZU KLEIDERN UND STADTEN (NOTEBOOK ON CITIES
AND CLOTHES),
150. BIS ANS ENDE DER WELT (UNTIL THE END OF THE WORLD - DIRECTOR'S
CUT),
151. ARISHA, DER BAR UND DER STEINERNE RING (ARISHA, THE BEAR, AND THE
STONE RING),
152. IN WEITER FERNE, SO NAH! (FARAWAY, SO CLOSE!),
1993, 146’
153.
154.
1995, 105’
155. DIE GEBRUDER SKLADANOWSKY (A TRICK OF THE LIGHT),
79’
156. THE END OF VIOLENCE,
157. BUENA VISTA SOCIAL CLUB,
158. THE MILLION DOLLAR HOTEL,
159. TEN MINUTES OLDER - THE TRUMPET, SEGMENT: TWELVE MILES TO
TRONA,
160. THE SOUL OF A MAN,
161.
162. DON'T COME KNOCKING,
Brazilian Homage
163. VIDAS SECAS, Nelson Pereira dos Santos, 1963, 95’
164. TERRA EM TRANSE, Glauber Rocha, 1967, 115’
165. BYE BYE BRAZIL, Carlos Diegues, 1979, 101’
166. O QUATRILHO, Fabio Barreto, 1995, 92’
167. TERRA ESTRANGEIRA, Walter Selles, 1996, 100’
168. UM CEU DE ESTRELAS, Tata Amaral, 1996, 75’
169. A OSTRA E O VENTO, Walter Lima Jr, 1997, 118’
170. CENTRAL DO BRASIL, Walter Salles, 1998, 112’
171. O INVASOR, Beto Brant, 2001, 100’
172. LAVOURA ARCAICA, Luiz Fernando Cardalho, 2001, 170’
173. AMARELO MANGA, Claudio Assis, 2002, 100’
174. CIDADE DE DEUS, Fernando Meirelles, 2002, 135’
175. O HOMEN QUE COPIABA, Jorge Furtado, 2003, 124’
176. CARANDIRU, Hector Babenco, 2003, 146’
177. CONTRA TODOS, Roberto Moreira, 2004, 95’
178. CASAMENTO DE ROMEO, Bruno Barreto, 2004, 90’
179. CINEMA, ASPIRINAS E URUBUS, Marcello Gomes, 2005, 90’
180. DOIS FILHOS DE, Breno Silveira, 2005, 120’
New Cinema From
181. QIAN NIU HUA (LIVING DREAM), HU Xueyang, 1995, 100’
182. GUANYU AI DE GUSHI (THE COMMON PEOPLE), ZHOU Xiaowen, 1997, 99’
183. MEILI SHIJIE (A BEAUTIFUL NEW WORLD), SHI Runjiu, 1998, 97’
184. ZAIJIAN! WOMENDE 1948 (GOODBYE! OUR 1948), GUAN Hu, 1999, 108’
185. FEICHANG XIARI (A LINGERING FACE), LU Xuechang, 1999, 94’
186. JINJI POJIANG (CRASH LANDING), ZHANG Jianya, 1999, 114’
187. YUE SHI (LUNAR ECLIPSE), WANG Quan'an, 1999, 100’
188. YAJIEDE GUSHI (ESCORT), QI Xing, 2000, 93’
189. JUHUA CHA (CRYSANTHEMUM TEA), JIN Chen, 2000, 94’
190. 100GE......, (ONE HUNDRED...), TENG Huatao, 2001, 88’
191. KAIWANG CHUNTIANDE DITIE (SPRING SUBWAY), ZHANG Yibai, 2001, 93’
192. JING GAI'ER (MANHOLE), CHEN Daming, 2002, 108’
193. WO AI NI (I LOVE YOU), ZHANG Yuan, 2002, 103’
194. SHENGHUO XIU (LIFE SHOW), HUO Jianqi, 2002, 105’
195. LIAN'AIZHONGDE BAOBEI,(BAOBER IN LOVE), LI Shaohong, 2003, 99’
196. KANCHERENDE QIYUE (THE PARKING ATTENDANT IN JULY), AN Zhanjun, 2003, 100’
197. MOLIHUA KAI (JASMINE WOMEN), HOU Yong, 2004, 130’
198. DUZI DENGDAI (WAITING ALONE), ENG Dayyan, 2004, 118’
199. ZUZHOU (CURSE OF LOLA), LI Hong, 2005, 91’
200. TIANGOU (THE FOREST RANGER), QI Jian, 2005, 106’
201. LIFASHI (THE MUSIC BOX), CHEN Yifei, 2006, 101’
202. FENGKUANGDE SHITOU (CRAZY STONE), NING Hao, 2006, 105’
ID-06
203. FRISS LEVEGO (FRESH AIR), Agnes Kocsis,
204. FIREWORKS WEDNESDAY,
205. LA PERRERA (THE POUND DOG), Manuel
206. I DON’T WANT TO SLEEP ALONE,
207. DAS LEBENSVERSICHERER (RUNNING ON EMPTY),
97’
208. OM GUD WILL (GOD WILLING), Amir
209. SYNDROMES & A CENTURY,
210. AVIDA, Benoit Delepine/
211. EL VIOLIN, Francisco Vargas,
212. KUBRADOR, Jeffrey Jeturian,
213. RAIN DOGS, Ηο Υuhang,
214. AZULOSCUROCASINEGRO, Daniel Sanchez Arevalo,
215. SUR LA TRACE D’IGOR RIZZI, Noel
216. SO LANGE DU HIER BIST, Stefan Westerwelle,
217. DAS FRAULEIN, Andrea Staka,
218. NUE PROPRIETE, Joachim Lafosse, France, 95’
219. THE ISLAND,
220. BORN AND BRED, Pablo Trapero,
221. BEAUTY IN TROUBLE, Jan Hrebejk, Czech Republik, 110’
222. THE HOST, Bong,
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Someone to Watch
ROYSTON TAN- SINGAPORE
223. 15, 2004, 90’
224. CUT, 2005, 13’
225. 4:30, 2006, 93’
VALESKA GRISEBACH-AUSTRIA
226. MEIN STERN (MY STAR), 2001, 65’
227. SECHSUCHT (LONGING), 2006, 88’
ABRERRAHMANE SISSAKO-MALI
228. LA VIE SUR TERRE, 1998, 61’
229. WAITING FOR HAPPINESS, 2002, 100’
230.
Young Americans
231. MOTORCYCLE, Paul Gordon, 2006, 81’
232. IN BETWEEN DAYS, 2006, KIM So-yong 82’
233. GRETCHEN, Steve Collins, 2006, 98’
234. OLD JOY, Kelly Reichardt, 2006, 76’
235. BUILDING A BROKEN MOUSETRAP, Jem Cohen, 2006, 62’
236. BLESSED ARE THE DREAMS OF MEN, Jem Cohen, 2006, 10;’
237. NYC WEIGHTS AND MEASURES, Jem Cohen, 2006, 7’
Special Screenings
238. MALA NOCHE, Gus Van Sant, 1985, 80’
239. PINE FLAT, Sharon Lockhart, 2005, 138’
Jan Svankmajer Tribute
240. SILENY (LUNACY), 2006, 118’
241. OTESANEK (LITTLE OTIK), 2000, 127’
242. SPIKLENCI SLASTI (CONSPIRATORS OF PLEASURE), 1995, 85’
243. LECSE FAUST (FAUST), 1994, 95’
244. NECO Z ALENKY (ALICE), 1988, 84’
Shorts
245. POSLEDNI TRIK PANA SCHWARZEWALDEA A PANA EDGARA (THE LAST
TRICK), 1964, 10’
246. SPIEL MI STEINE (A GAME WITH STONES), 1965, 8’
247. J.S.BACH - FANTASIA G-MOLL (J.S. BACH- FANTASY IN G MINOR), 1965, 8’
248. ET CETERA, 1966, 8’
249. RAKVICKARNA (PUNCH AND JUDY), 1966, 10’
250. HISTORIA NATURAE (
251. PICKNICK MIT WEISSMANN (PICNIC WITH WEISSMANN), 1968, 13’
252. BYT (THE FLAT), 1968, 13’
253. ZAHRADA (THE GARDEN), 1968, 19’
254. TICHY TYDEN V DOME (A QUIET WEEK IN THE HOUSE), 1969, 13’
255. KOSTNICE (THE OSSUARY), 1970, 10’
256. DON SAJN (DON JUAN), 1970, 30’
257. ZVAHLAV (JABERWOCKY), 1971, 12’
258. LEONARDUV DENIK (LEONARDO'S DIARY), 1972, 10’
259. OTRANSKY ZAMEK (THE
260. ZANIK DOMU USHERU (FALL OF THE USHER'S HOUSE), 1980, 15’
261. MOZNOSTI DIALOGU (DIMENSIONS OF DIALOGUE), 1982, 11’
262. DO SKLEPA (DOWN TO THE CELLAR), 1982, 14’
263. KYVADLO-JAMA-NADEJE (THE PENDULUM, THE PIT AND HOPE), 1983, 15’
264. JINY DRUH LASKY (ANOTHER KIND OF LOVE), 1988, 4’
265. MUZNE HRY (VIRILE GAMES), 1988, 15’
266. TMA-SVELTO-TMA (DARKNESS-LIGHT-DARKNESS), 1989, 10’
267. ZAMILOVANE MASO (MEAT LOVE), 1989, 1’
268. FLORA, 1989, 20’
269. KONEC STALINISMU V CECHACH (THE DEATH OF STALINISM IN
1990, 14’
270. JIDLO (THE FOOD), 1992, 17’
Jim McKay Tribute
271. ANGEL RODRIGUEZ, 2005, 87’
272. EVERYDAY PEOPLE, 2004, 91’
273. OUR SONG, 2005, 95’
274.
Children’s Screening
275. THE UGLY DUCKLING AND ME, Michael Hegner,
Balkan Survey
276. MAGIC EYE,
277. TERTIUM NON DATUR, Lucian Pintilie,
278. MARILENA DE LA P7 (MARILENA FROM P7), Cristian Nemescu,
279. KARAULA (BORDER POST),
280. A FOST SAU N-A FOST? (12:08 EAST OF
281. HIRTIA VA FI ALBASTRA (THE PAPER WILL BE BLUE), Radu
282. SUTRA UJUTRU (TOMORROW MORNING), Oleg Novkovic,
283. BES VAKIT (TIMES AND WINDS),
284. WARCHILD, Christian Wagner,
285. BUNTAT NA L. (L' S REVOLT),
286. GRBAVICA,
Special Screenings
287. TRANSYLVANIA, Tony
Nuri Bilge Ceylan Tribute
288. KOZA (COCOON),
289. KASABA (THE
290. MAYIS SIKINTISI (CLOUDS OF MAY),
291. UZAK (DISTANT),
292. IKLIMLER (CLIMATES),
Focus: Teenage Lust/ Teenage Angst
293. ALGUMA COISA ASSIM (SOMETHING LIKE THAT),
294. BUGCRUSH, Carter Smith,
295. DIEP (DEEP), Simone
296. INNOCENT, Simon Chung,
297. LUCY,
298. MANUE BOLONAISE, Sophie
299. PETERPAN-EUI GONGSHIK (THE PETER PAN FORMULA), Chang-ho Kim,
300. LES DEUX VIES DU SERPENT (SECOND SKIN), Helier
45’
301. GLUE-HISTORIA ADOLESCENTE EN MEDIO DE LA NADA (GLUE-A TEENAGE
STORY IN THE MIDDLE OF NOWHERE), Alexis dos
302. TWELVE AND HOLDING, Michael Cuesta,
303. WHITE PALMS (FEHER TENYER),
304. 2:37, Murali K. Thalluri,
Eve Sussman Special Screening
305. THE RAPE OF THE SABINE WOMEN,
