With a rich filmography of 60 films, from the end of the 50s till now, Seijun Suzuki with a polymorphous and heterogenous work, which refuses to obey to any kind of classification and labeling, trespassed like a shooting star all the film genre and he is a true living legend, a cult figure of the Japanese cinema. The carefully edited by Dimitris Kerkinos and concise publication includes researches and texts by Max Tessier, Tony Rayns, Thierry Jousse, Stephen Teo, Tadao Sato, Takeo Kimura, interviews and views of the director himself, who “opened the road to the Japanese New Wave of the 60s”, according to Nagisa Oshima. This publication is an exceptional introduction to his work.
